woensdag 20 oktober 2010

Bloody-Disgusting Indie Horror News

Bloody-Disgusting Indie Horror News


Los Angeles: See Terrance Zdunich's 'The Tutor' LIVE!

Posted: 19 Oct 2010 08:46 PM PDT

If you haven't been following Terrance Zdunich's art instructional series "The Tutor" (check below for an episode!), you've been depriving yourself of some inspired and truly unique madness. Best known as the Graverobber from Repo!, Zdunich's newest creation has attracted several "students", and if you're in the Los Angeles area, you can come check out some of their work this Saturday, October 23rd, at the Paul Gleason Theatre in Hollywood. In addition to an unveiling of the students' pieces, The Tutor will also crown a valedictorian and perform a lesson live! Some exclusive merch will also be available, so you don't want to miss this event! Tickets are ten bucks, buy online HERE! You can also order the newest issue of his creepy cool comic series "The Molting", which is shaping up to be pretty awesome. See you at the show!

Writer Turns Evil in 'Christopher Roth'

Posted: 19 Oct 2010 07:19 PM PDT

We've finally got our hands on the trailer for Maxime Alexandre's Christopher Roth, a new horror film from Aspect Film that stars Jaoquim de Almeida, Anna Galiena, and Ben Gazzara. This storys a simple one, so dont expect some mind-blowing finale because the ending is the logical outcome of the events Im going to relate to you. With these words CHRISTOPHER ROTH, creator of the scariest serial killer in American literature, sums up his latest book, Witness or Watcher. A few days after their arrival in Italy, Christopher Roth (Joaquim deAlmeida) and his wife, Catherine (Anna Galiena), get caught in the middle of a wild boar hunt during a walk in the woods. Not long after that, a young couple is brutally murdered in the woods near the Roths rented house...The table is set, dinner is served, but Catherine seems to have disappeared. Theres a small gift package on the table. Roth opens it and discovers a picture and a letter inside. The pictures a Polaroid of the couple killed in the woods, the signature left on the victims cheeks is unmistakable, each of them has been pierced by a boar tusk. The letter is from the killer a fervent admirer of Christopher's work and feels Christopher's way of portraying pain is so fascinating and so real, as he relates to his own experience. The killer will become Catherine and Christopher Roths worst nightmare. A nightmare whose violence will be greater than anything Roth ever envisioned."

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